5th century in the Meister des Mausoleums der Galla Placidia, a Roman building in Ravenna, Italy. It’s one of the best preserved mosaics. You can see he’s starting to grow his hair out in this one.

4th century in Rome. I’ m on the right. I miss wearing my tail long. And I miss his short curly hair. 

Stained glass at St John the Baptist’s Anglican Church in Wales. I need to feature more glass stuff here but there’s so much of it. 

Before me and Christ paired up I did a lot of kriophoros stuff. The Greeks liked to commemorate the sacrifice of a ram. Again with the sacrifices, not to keen on that whole thing but its a living. 

Lost Lamb by Del Parson. He blinked and they just went with it. I’m not even looking up either, kinda awkward pic.

Another by Simon Dewey. They think I’m getting egotistical so they put me with the other sheep. >:( Whatever

By Simon Dewey. I like this one because the other sheep are extras. You don’t even need the other ones, in my opinion. I think I’m all the sheep any painting needs. Just me.

By Brandon Kidder. I like this one because I’m the focus. You can barely see Christ’s face, which I’m totally okay with. I like that he’s smiling, though. A lot of directors want something more moody but I like seeing him happy. He’s a happy guy, the sad starving guy on the cross is just an act, honestly.  Like Larry the Cable Guy. Did you know his real name is Daniel Lawrence Whitney?

Christ did a lot of solo work to keep things fresh. The Last Supper was super, super popular so he did a lot of versions and remixes of that. In Peru there’s a few with guinea pigs on the table…

By Philippe de Champaigne in 1650. I’d be grumpy too if I had to wear such ugly sandals.